It's been on there for 2 weeks now.
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Show posts MenuQuote from: "drblowthingsup"just popular music
i would have gone for a jazz guitar course cuz i want to do studio musician stuff but at the time i was applyin i was feelin really unconfident about my playin so now im writing more than im playing. still shreddin out tho. full on. lol
also, the guitar in your avatar looks quite a lot like mine, what is it?
i have a hairband on mine too lol
Quote from: "SerFox"Non techies, proceed with caution.
The wasp sounds scattered around the song 'The Other Me' are from one of the samples built into one of the modules in a program called Reason. Quite simply, he's taken the sample, applied some dynamics to it and thrown it in the piece. The beautiful part comes at the very end, which puzzles most, where the wasps sound like they've just entered the Large Hadron Collider and sound like they've melded into each other. This is achieved within the 'Malstrom Graintable Synthesiser'. The term 'graintable' is a malformation (Hah) of two words, granular and wavetable. In short, the synth unit uses both these concepts to generate it's sounds. Granular comes from Granular synthesis, which is the process of taking tiny fragments, or grains, of sound, and repeating them and morphing them. Wavetable synthesis is basically a bunch of waves stuck on a chip, or in this case virtually, and played back.
The ending of The Other Me uses the wave used throughout the piece, called 'Flies' (HAH! They aren't wasps now, are they? >: ) ) and in the last section, the 'Motion', or number of grains of the sound played through, is reduced until it becomes a single, continuous grain, and then the pitch is dropped down a couple octaves. For you kids at home I've replicated the ending for you to listen to. No extra charge.
As a final note, I'm sure this is all very complicated, and I'm almost certain Jem only used that strange morphing effect at the end because he tweaked a knob and it sounded nice.