I love the way Jem textures voices on the Frost* albums. They tend to have a silkiness to them, almost a crunchiness, like a Neve preamp driven really hard. There is also often quite a lot of subtle (and not-so-subtle) modulation happening. Apart from one Frostreport, where Jem shows how he achieved the "underwater" effect, there is not a lot of info out there on how he went about that stuff. Anyone know?
How about it, Jem? Care to share some tips and tricks? Preamp and mic choices?
Cheers,
/R